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課程名稱 |
導演三
DIRECTING (Ⅲ) |
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開課學期 |
99-1 |
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授課對象 |
文學院 戲劇學系 |
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授課教師 |
呂柏伸 |
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課號 |
Thea5613 |
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課程識別碼 |
129 U1160 |
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班次 |
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學分 |
3 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
星期二5,6,7(12:20~15:10) |
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上課地點 |
總一館118 |
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備註 |
初選不開放。本課程中文授課,使用英文教科書。初選不開放。本課程中文授課,使用英文教科書。或於206R.開學前1週繳交演出製作企劃書(內含劇本、劇本分析以及導演創作構想等)至教師信箱.
限本系所學生(含輔系、雙修生) 且 限學士班三年級以上
總人數上限：5人 |
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課程簡介影片 |
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核心能力關聯 |
本課程尚未建立核心能力關連 |
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課程大綱
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課程概述 |
This course concentrates on the advanced practice of theatre direction with a strong underlying theoretical component. The aim of this course is to prepare the students for working in professional theatre and to encourage exceptional talents to develop their own vision for the theatre of the future. |
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課程目標 |
The course aims to further develop the students’ understanding of the creative and the technical aspect of theatre direction. It will also provide a basic foundation in the “business” of theatre. At the end of semester each student will be expected to direct a text-based production for a public audience. This will give experience in managing all stages in the development of a production, from the initial choice of script, to the final performances staged in one of the departmental studio spaces or other venues outside the campus. |
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課程要求 |
※「導演三」甄選條件:
1 限修過導演二且成績在80分以上者
2 需於開學前一週繳交演出製作企劃書 內包括劇本 劇本分析以及導演創作構想等
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預期每週課後學習時數 |
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Office Hours |
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指定閱讀 |
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參考書目 |
Bloom, Michael, Thinking Like a Director: A Practical Handbook, New York: Faber and Faber, 2001
Mitchell, Katie, The Director’s Craft: A Handbook for the Theatre, London & New York: Routledge, 2009
Whitmore, Jon, Directing Postmodern Theatre: Shaping Signification in Performance, Ann Arbor: The University of Michigan Press, 1994
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評量方式
(僅供參考) |
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No. |
項目 |
百分比 |
說明 |
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1. |
導演創作構想提案報告 |
30% |
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2. |
排戲準備 |
30% |
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3. |
製作成果報告 |
40% |
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週次 |
日期 |
單元主題 |
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第1週 |
9/14 |
課程說明 |
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第2週 |
9/21 |
導演創作構想提案 (一) |
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第3週 |
9/28 |
導演創作構想提案 (二) |
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第4週 |
10/05 |
Pre-production Research Report I |
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第5週 |
10/12 |
Pre-production Research Report II |
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第6週 |
10/19 |
Rehearsal I: Establishing the language of your process; how to set up improvisations with the actors |
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第7週 |
10/26 |
Rehearsal II: the model showing; introducing sound, costume, props and scenic elements to the rehearsal process |
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第8週 |
11/02 |
Rehearsal III: Introducing facts and questions; character biographies; First practical work on character and character tempo |
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第9週 |
11/09 |
Rehearsal IV: Analysing the action of the play with the actors; improvising the trigger event and immediate circumstances |
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第10週 |
11/16 |
Rehearsal V: How to structure the rehearsal day |
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第11週 |
11/23 |
Rehearsal VI: Blocking, run-throughs |
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第12週 |
11/30 |
Rehearsal VII: Working on set, costume, sound, lighting design and music during rehearsals |
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第13週 |
12/07 |
Technical Rehearsal |
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第14週 |
12/14 |
Dress Rehearsal |
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第15週 |
12/21 |
期末作品呈現 (一) |
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第16週 |
12/28 |
期末作品呈現 (二) |
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第17週 |
1/04 |
期末作品呈現 (三) |
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第18週 |
1/11 |
綜合檢討與座談 |
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